April 30, 2017

UGRLS Scholarship Scheme

Following Liv Powell’s (our UGRLS, Undergraduate Research and Leadership Scholarship, Scholar) blog post a couple of weeks ago we thought we would tell you a little more about the UGRLS Scheme. Liv will be working with us on the antique dealers research project and the antique dealer archives at the Brotherton Library Special Collections over the next 2 years, and we are very pleased indeed to have such an enthusiastic student!

The Laidlaw Scholarship scheme has been developed with very generous support from Lord Laidlaw, the businessman and philanthropist, who was educated at the University of Leeds.  Lord Laidlaw first developed the UGRLS scheme at the University of St. Andrews, and has now rolled out a programme of UGRLS at many more universities, including of course at the University of Leeds. Our Project ‘Objects Trajectories: Archives, Objects, Museums, in the Phillips of Hitchin & Roger Warner Archives’ was one of only SIX projects that were successful in the competitive funding round this year at the University of Leeds – so we are very pleased to have this extra support toward the future development of the Antique Dealers research project.

Liv will be working for 6 weeks each summer over the next 2 years, undertaking research on the Phillips of Hitchin and the Roger Warner archives, as well as working with Tim Proctor, Head of Engagement at the Brotherton Library Special Collections, on cataloguing and conservation and cleaning projects for the Phillips of Hitchin archives. We have lots of exciting plans for Liv – we hope, for example, that she will become a regular blogger on the Antique Dealers research blog, and she will be working with us on a number of developments for the dissemination of the research undertaken so far, and on some exciting projects on antique dealer exhibitions. Liv is also very skilled with Social Media (much more so that I am!), and has some great ideas for our digital media profiles…so watch this space!

Welcome to the team Liv!

Mark

 

 

Advertisements
April 25, 2017

Latest BADA Voices Oral History Interview

We recently completed the latest in our series of Oral History interviews, as part of the extension to the research theme under the ‘BADA Voices’ project –  and thank you again to Marco, Mark and the team at the BADA for generously supporting these new oral history interviews. Our latest interviewee was the leading antique furniture dealer John Hill, of Jeremy Limited; the interview was undertaken by Chris Coles, our Lead Volunteer for the Antique Dealers research project.

John, Geoffrey and Michael Hill, outside of Jeremy Limited. Photograph courtesy of John Hill.

During this absolutely fascinating interview, John recalls the early history of the business of Jeremy Limited, established in 1946 by John’s father Geoffrey Hill, and well-known for their shop in the King’s Road, London.  John tells us how the firm got its name (his father was known to friends as ‘Jeremy’) and of his memories of many other key members of the London antique trade, including John Partridge, Francis Egerton of Mallett & Son and Horace Baxter of H.C. Baxter & Sons (we have also, as followers of the research project will know, interviewed both John Partridge Jnr and Gary Baxter, Horace Baxter’s son).

John also offered some interesting reflections on the marketing techniques of the firm during the 1960s and 1970s, and some absorbing memories of the Mentmore auction sale, conducted by Sotheby’s in 1977 – considered to be one of the key country house sales of the 20th century.

As will all of our Oral History interviews, our interview with John will, as soon as we are able, be edited, approved, and uploaded to the project website.

Mark

April 11, 2017

Undergraduate Research and Leadership Scholar (UGRLS) 2017

The Undergraduate Research and Leadership Scholarship is a two-year scholarship funded by alumni, offered to first-year students, which enables students to develop their research and leadership skills through participating in academic research projects and attending residential and one day events. The Scholarship is unique in that it funds students to participate in live research, as well as developing their skills for future research and leadership roles in employment or further study. Furthermore, it offers scholars the opportunity to attend networking events to meet other UGRLS scholars and researchers, as well as providing scholars with the chance to attend conferences related to their project. The scholarship is one of the most prestigious offered at the University of Leeds, and I’m greatly looking forward to fully engaging with both the scholarship and the research project.

I am a first-year International History and Politics student, and I’m greatly interested in the life-course of objects, such as how they are affected by outside influences and why they are moved to different places of residence. I’m also interested in the social history of the 20th century, and after having never studied neither antique dealers or the antique trade, I’m looking forward to learning more about the subject. I also love primary sources, so the chance to work with primary materials like sales ledgers and photographs greatly attracted me to this fantastic project.

The ‘Where is it Now?’ aspect of the project is what I’m most looking forward to, especially finding out how and why antiques changed hands, and the opportunity to develop both my primary source skills and ability to handle and care for archived materials are arguably my other favourite aspects of the project. My personal favourite of the ‘Where is it Now?’ antiques is the ‘Fine Italian Marquetrie Bureau Bookcase’ (http://csaam.leeds.ac.uk/archives-where-is-it-now/where-is-it-now-number-4/) and I can’t wait to start working with the team to try and track this down.

Liv

Liv

April 6, 2017

‘Here it is Now!’ – Phillips of Hitchin in the UK, USA and Australia.

As readers of the Antique Dealer research blog will know, we have recently posted more ‘Where is it Now?’ objects, illustrating images from some of the early 20th century photograph stock albums in the Phillips of Hitchin archive, now at the Brotherton Library Special Collections. We thought you would be interested, and amused perhaps, to hear about a kind of reverse of the ‘Where is it Now?’ theme (a kind of ‘Here it is Now!’) – i.e. the catalyst for this blog post was not an illustration of an object in the PoH archive, attempting to set up a link from the archive to the outside world, but rather a photograph of an object in a public museum, that links back to the archive. Indeed, the photograph generated an investigation of other museum collections, which has further demonstrated the international significance of the Phillips of Hitchin archive.

Anyway, the PoH archive was generously donated to the Brotherton Library Special Collections by Jerome Phillips, the 3rd generation of antique dealers associated with the business that has always been located at The Manor House, Hitchin since it was established in 1884. Jerome retired in 2014, and as many of you will know, is still in regular contact with us at the university; we often update him on the progress with his family business archive – Jerome is, after all, a living extension to the archive!

Jerome emailed us recently following an update from us on the archive, and mentioned that his wife, Barbara, was in Australia, and had been to the National Gallery of Victoria in Melbourne and whilst there she spotted a pair of chairs that Phillips of Hitchin had sold to the (then) Victoria State Gallery, Melbourne, in 1961.  Here is Barbara’s photograph of the chairs in situ (you can also spot Barbara reflected in the 18th century mirror!).

Pair of Houghton Hall chairs at the National Gallery of Victoria, Melbourne. Photograph courtesy of Barbara Phillips, 2017.

Houghton Hall chair, Temple Newsam House, Leeds. Photo c.1960, courtesy of Temple Newsam House, Leeds.

The chairs are related to a set of chairs at Houghton Hall, Norfolk, a very large suite of furniture, including 2 settees, made by Richard Roberts in the period c.1720; the chairs were acquired by the Gallery of Victoria through the Felton Bequest in 1961, through Phillips of Hitchin (see here for a link to the museum catalogue entry).

The pair of chairs now in Australia came from a set of six chairs acquired by Phillips of Hitchin in 1960; Jerome tells us that he thinks his father bought the 6 chairs at auction (not direct from Houghton Hall).  PoH then sold the chairs to four different museums in 1960 and 1961. One chair from the set was sold to Temple Newsam House, Leeds in June 1960, for the sum of £275.00, and described, in the PoH archive invoice as ‘a walnut and parcel gilt chair ensuite with chairs at Houghton Hall’. The chair in the first B&W photograph is the Temple Newsam House example, photographed in c.1960.

Another single chair was sold to the Victoria & Albert Museum in London in the same year.

Houghton Hall chair, Victoria & Albert Museum. Photograph c.1960. Copyright V&A Museum.

It seems quite strange perhaps that one of the pair of chairs were split up into single objects, rather than being retained as a pair (or indeed retaining the set of 6 chairs together), but the rationale, in the 1960s, was to distribute key examples of objects across as many museums as possible in order to allow more distributed access – this kind of materiality of things was a dominant idea in a period when object-based study was a key element in the structures of knowledge.

It’s interesting to note that the more recent acquisition by the V&A of the remaining large suite of furniture to which these 6 chairs relate, as part of the 2002 Acceptance in Lieu Scheme for the Inheritance Tax Settlement of the Cholmondeley Estate, has stipulated that the remaining suite of furniture remains in situ at Houghton Hall.

Chair in situ at Houghton Hall, Norfolk. Photograph copyright V&A Museum.

The last pair of chairs from the set of 6 acquired by Phillips of Hitchin were sold by the dealers in 1960 to the Metropolitan Museum in New York, through the Harris Brisbane Dick Fund. Here is a link to the online catalogue for the chairs.

‘Houghton Hall’ chair, c.1720. Metropolitan Museum of Art, New York. Photograph, Metropolitan Museum of Art, 2017.

And so, in this little example of the acquisition and distribution of this suite of Antique Furniture we can see not only the significant role of the antique dealer in the dissemination of objects across three Continents…..but also the shifting significance of the notion of historical context, cultural heritage, and museum collecting policies in the last 50 years or so.  And with that, the growing sense of the significance of the Phillips of Hitchin archive now held at the University of Leeds.

Mark

April 3, 2017

‘Where is it Now?’ – more objects to find

Following the success of the finding of the first of our ‘Where is it Now?’ objects from the Phillips of Hitchin archives, (we found the delftware plate in the collections of the Metropolitan Museum in New York, as you will know), we have posted 6 more photographs of objects to find.  You can see the photographs and the archive detail associated with them on the ‘Where is it Now?’ pages on the Centre for the Study of the Art & Antiques Market – click here

Thanks especially to Peter Edwards, Faculty IT support at the University of Leeds for helping to create extra ‘Where is it Now?’ pages! The new objects are, we hope, relatively easy to identify, if they still exist of course – they may have been destroyed?  The photographs all date from the early 20th century, and the attributions in the archive may have been revised in the intervening years….but the objects are still fascinating illustrations of the taste for antiques in the period prior to World War I.

Do check out the ‘Where is it Now?’ pages and if you know where the objects are at present, do email us – antiquedealers@leeds.ac.uk

Mark

March 6, 2017

‘Where is it Now?’ – we found the first one!

Thanks to Simon Spier, one of our Centre for the Study of the Art & Antiques Market PhD students, we have found the first of the ‘Where is it Now?’ objects. The object in question is a ‘Lambeth’ Delftware plate, dated 1717, with the initials ‘W D C’ painted on the top rim.

ms1999-4-1-52-plaque

Delftware plate, dated 1717. Phillips of Hitchin Archive MS1999/4/1/52. Photograph courtesy of the Brotherton Library Special Collections, University of Leeds, 2017.

The plate was in the stock of the antique dealers Phillips of Hitchin in c.1900, shown above in one of the photograph albums of stock that are part of the Phillips archive at the Brotherton Library Special Collections at the University of Leeds.

We have discovered that the delftware plate is in the Metropolitan Museum of Art in New York, USA. The plate is currently part of the Met Museum’s collections of European Sculpture and Decorative Arts – here’s a link to the Met Museum collections online for the PLATE 

And here’s the plate itself, in full, glorious colour! The plate is on display in Gallery 710 in the Met Museum if you want to go and see it for yourself.

delftware-plate-1717

Lambeth delftware plate, dated 1717, diameter 9 inches.. Metropolitan Museum of Art, New York, 12.279.9 Rogers Fund, 1913. Photograph copyright The Metropolitan Museum of Art.

The Metropolitan Museum acquired the plate in 1913 (via the Rogers Fund), through the well-known antique dealer Frederick Rathbone (1837-1919). Rathbone was, by 1913, trading at 20 Alfred Place, South Kensington, London, and would have been in his mid 70s when he sold the plate to the Met Museum. He was an acknowledged expert on antique ceramics, especially on Wedgwood and ‘Old English Pottery’; he was famous for helping to assemble the collections of William Hesketh Lever (1851-1925) 1st Viscount Leverhulme, and the extensive collections of 18th century Wedgwood ceramics assembled by Lord Tweedmouth (1820-1894).

It’s not known when, for how much, or to whom, Phillips of Hitchin sold the plate – it may have been sold direct to Rathbone, we have yet to discover that information, but it will be buried in the extensive archives at the Brotherton Library Special Collections.  What we do know is that Phillips bought the plate from the collection of the well-known collector W.H. Booth of Ipswich in Suffolk sometime around 1900.

Anyway, we are pleased at least to have found the first of the ‘Where is it Now?’ objects, and to have provided a little more provenance information to the delftware plate in the collections at the Metropolitan Museum, New York.

Mark

 

February 28, 2017

Lord Laidlaw Undergraduate Scholarships 2017

The development of future research on the rich series of antique dealer archives donated to the Brotherton Library Special Collections has had some recent success in an internally funded project (at the University of Leeds) – just to demonstrate that we are not sitting on our hands in our future strategy for ensuring that the rich potential of the very generous donations of key archive material continues!  Anyway, we were successful in our application to run a two year scholarship for an undergraduate student to work alongside the project team and develop research skills, and archive cataloguing skills, as part of a project to increase the research activity on the antique dealer archives.

The Scholarship is part of a series of generously funded projects from Lord Laidlaw – ours is the project called –

‘Object Trajectories – archives, objects, museums in the Phillips of Hitchin and Roger Warner archives’   

The scholarships are only open to existing students at the University of Leeds, but we hope that the successful student will be inspired to continue their research on the history of the antique trade…building new capacity for future research into this important aspect of our cultural life.

We’ll let you know the successful student as soon as the interviews have taken place, and will encourage the successful student to blog about their experience on the project in the coming months.

Mark

February 6, 2017

Thornton-Smith Antiques – ‘The Georgian House’.

thornton-smith-cover

‘The Georgian House’ – W.& E. Thornton-Smith. c.1910.

Following the very kind donation of antique dealer ephemera by Tim Turner at Sworders Auctioneers we thought we should compose a fuller account of our investigations of the catalogue of the antique dealers W.& E. Thornton-Smith.

phillips-of-hitchin-1920

Phillips of Hitchin, ‘The Georgian House’, catalogue, c.1920.

The catalogue is a type that was produced by many antique dealers during the early 20th century.  A key comparison is the catalogue produced by Amyas Phillips, of the firm of Phillips of Hitchin, who also produced a catalogue of stock titled ‘The Georgian House’ (this one c.1920).  The Thornton-Smith’s catalogue appears to date from c.1910, given the suggested information on the back of the catalogue (i.e. that Thornton-Smith had ‘New Premises’ at 11 Soho Square, London); they appeared to have moved to 11 Soho Square in c.1910.

thornton-smith-verso

Thornton-Smith catalogue, c.1910.

It must have been quite an extensive business; they state that they had ‘one of the largest stocks of English Antique Furniture in the country’ (but then, many dealers also suggested that at the time, and since). If we are to believe the information in the catalogue, they had 40 four-post beds in stock, all on show ‘in an historic Georgian House, decorated in the manner of that period.’

thornton-smith-cat

Thornton-Smith catalogue, c.1910.

thornton-smith-cat-2

Thornton-Smith catalogue, c.1910.

The catalogue also contains an extensive number of black & white photographs illustrating the range of stock held by Thornton-Smith in the period.

Walter George Thornton-Smith (d.1963) established his antique dealing business in c.1906, with Earnest Thornton-Smith. Like many antique furniture businesses at the time, Thornton-Smith also provided a full interior decoration service for their clients.  Indeed, such was the reputation of Thronton-Smith as decorators that they started the careers of two of the most well-known interior designers of the 20th century – Syrie Maugham (1879-1955), wife of the writer W. Somerset Maugham, and interior decorator par excellence during the 1920s and 1930s (famous for her interior schemes made entirely with shades of white) began her training with Walter Thornton-Smith in the early 1920s, before setting up ‘Syrie Limited’ at 85 Baker Street, London in 1922.  It seems that Thornton-Smith was introduced to Syrie when he was commissioned to decorate her home at York Terrace; she was at the time recovering from her recently failed marriage to the Industrialist Henry Wellcome (1853-1936).

The other key interior decorator associated with Thornton-Smith was John Fowler (1906-1977), of Colefax & Fowler, who briefly trained at Thornton-Smith in the late 1920s.

Thornton-Smith was a highly successful businessman and, like many dealers and collectors of antiques at the time, he also took a keen interest in ‘ancient buildings’. He developed a number of historic architectural projects, often recreating ‘historic homes’ by recycling architectural elements from demolished buildings.  One of the earliest of his projects was the dismantling and re-siting of a 16th century half-timbered building ‘Kingston Hill’, near Woodbridge in Suffolk (it’s not known where he re-sited the building?).  His major project however was Shoppenhangers Manor, Maidenhead, Berkshire.

shoppenhangers-manor

Shoppenhangers Manor, Maidenhead, as seen in c.1950. Photograph from Apollo Magazine, August 1956.

Thornton-Smith bought the site of the original manor house at Shoppenhangers (the site had already been cleared of the remains of the original manor) in 1914 and set about recreating a 16th century manor house on the foundations of the original house.  The project seems to have taken 4 years to complete, and was assembled, recreated, using an astonishing range of architectural elements, from a wide geographical area, and made available through a variety of opportunities and events.  Painted glass from Selby Abbey, for example, made available following the major fire at Selby Abbey in 1906, was installed in the ‘Long Room’ at Shoppenhangers; there were ceilings from an ‘ancient inn at Banbury’, and panelling from an ‘old house’ at Faversham, as well as that ‘removed from a Venetian Palace’. Other materials apparently came from West Wycombe Park and from ‘an ancient house in Spain’.  One of the most important rooms in Shoppenhangers Manor, the ‘drawing room’ was lined with panelling from Billingbear Park, Wokingham.

shoppenhangers-manor-int

Shoppenhangers Manor, the drawing room. Photograph from Apollo Magazine, August 1956.

It’s not actually clear how Thornton-Smith acquired the panelling from Billingbear Park – given that the house was still occupied until a devastating fire in 1924 (some 6 years after Thornton-Smith supposedly completed his house), but it may be that Billingbear Park was refurbished/remodelled sometime in the 1910s, or that Thornton-Smith acquired the panelling in 1924 and continued to construct his ‘new-old’ house? If you are interested in reading more about Thornton-Smith’s project at Shoppenhangers, it was the subject of a short essay by Horace Shipp, in Apollo Magazine in August 1956, pp.41-45 – ‘A Home and it’s Treasures, Shoppenhangers Manor and the Collection of Walter Thornton Smith’.  After Thornton-Smith died, Shoppenhangers Manor was sold to the Esso Petroleum Company in 1965, when there was also an auction sale of the contents; it was converted into an hotel in the late 1960s, and was eventually demolished in 2007.

Which brings us back to the Phillips of Hitchin ‘The Georgian House’ catalogue.  The antique dealers Frederick W. Phillips and Amyas Phillips have been the subject of earlier blog posts in the antique dealers blog (see Phillips of Hitchin posts), but one of the interesting aspects about the Phillips family business is also their architectural projects, which are in direct correlation with those of Walter Thornton-Smith (they must have known each other I’m sure!).  Phillips’ major project (one of many, that also included the dismantling and sale of the London home of Sir Isaac Newton in the 1910s) was the reconstruction of Baliffscourt in Sussex.

bailiffscourt-hotel-spa-exterior-photo

Baliffscourt, West Sussex. Wikicommons.

Amyas Phillips was engaged by Lord Moyne in 1927 to recreate a late Medieval manor house, and, like Thornton-Smith, he began assembling the ‘ancient manor house’ by scouring the country for historic architectural elements, creating a house that is a poem of romantic architectural fragments.

Whatever the real stories behind the provenance of the architectural elements that eventually made their way to these ‘new-old’ homes, these architectural projects illustrate the significance of the key roles that the antique trade played in these romantic recreations of the past, providing the perfect back-drop for the assemblage of antique furniture and objects that the dealers also supplied.

Mark

February 5, 2017

Further generous help!

catalogues-sworders

Catalogues of antique dealer material, from the 1950s and 1960s.

Our very generous Antique Dealer project supporters continue to send us antique dealer ephemera – thanks again to Tim Turner at Sworders Auctioneers  and to Jacqueline and her son George, for passing on another parcel of ephemera – these resources are crucial for the continuing developments in the research for the Antique Dealers project. The material that Tim passed to us included a selection of Antique Fair catalogues from the 1950s and 1960s, and two very interesting antique dealer sales catalogues. One of the catalogues was from the well-known dealer Margery Dean, of Wivenhoe in Essex – the catalogue is undated but appears to be from the late 1950s?

The other catalogue was a much more interesting, and much rarer, example, produced by the dealers W. & E. Thornton-Smith, and dating from c.1910.

thornton-smith-cover

W. & E. Thornton-Smith catalogue, c.1910.

Indeed, the Thornton-Smith catalogue deserves a separate, and fuller, blog entry, and I’ll compose that shortly.  Once again we have to thank our generous supporters at Sworders Auctioneers…thank you Tim and all…your contributions have again been most welcome, as we continue to build what we hope will become the National Centre for the Study of the Antique Trade here at the University of Leeds.

Do watch out for the forthcoming Thornton-Smith blog entry…

Mark

 

 

January 19, 2017

‘As it’s called in the Trade’ – more generous help to the research project

Thanks again to the vast number of interested, and interesting, individuals who follow the Antique Dealer research project we continue to build an archive of the Cultural History of the Antique Trade.  And this time our thanks go to our friend and colleague, Dr Howard Coutts, Curator of Decorative Art and Ceramics at The Bowes Museum, in County Durham.  Howard very generously donated a small box of antique dealer related ephemera that he recently discovered in a charity shop – Thank You Howard!

as-its-called-in-the-trand-archive

Material for the proposed book ‘As it’s Called in the Trade’. Early 1980s. Photograph, Antique Dealers Project, University of Leeds, 2017.

The material appears to be an outline draft structure and associated images for a publication entitled ‘As it’s Called in the Trade’, composed by the writer Brian Jewell, apparently in the early 1980s. Brian Jewell (1925-2006) was a prolific author, with at least 20 publications, ranging from local history subjects to military history.  He appears to have been something of a specialist in military history, indeed he also appears to have been in an editorial role for the journal ‘Soldier‘ in the early 1990s (‘Soldier‘ has been published since the Second World War, and continues to be produced), whilst running something called ‘War Room – Collection and Sound Archive’ in Harrogate, West Yorkshire.  Jewell also produced a small number of books on collecting in the 1970s and 1980s, including, Antique Sewing Machines (1985), Smoothing Irons: a history and collector’s guide (1977), and Collecting for Tomorrow (1979) – and was obviously preparing to produce a book on collecting antique furniture, as this archive demonstrates.

as-its-called-1

Photographs and draft structures for ‘As it’s Called in the Trade’. Photo., Antique Dealer Project, University of Leeds, 2017.

I don’t know why his proposed book ‘As it’s Called in the Trade’ did not hit the press, but the small amount of archive material that Howard donated to us suggests that considerable work had already been done.

The material consists of a few pages of draft structures for the book, with title and chapter headings (all relatively conventional for the time, as one would expect), and a large amount of black and white photographs of antique furniture, all from Bonhams auctioneers, from what must have a been a series of English and Continental Furniture auctions in 1980 and 1981.

as-its-called-4

18th century ‘library chair’. Original photograph copyright Bonhams Auctioneers.

Back in those days, the major auction houses used to classify auctions into collecting categories – ‘English Furniture’ ‘French Furniture’ ‘Continental Furniture’ etc etc…today of course the big auction houses are much more keyed into evolving and expanding markets and titles of auctions often follow sophisticated marketing and promotional techniques  – hence auctions titled ‘Interiors’ and the numerous ‘curated’ auctions in more recent times.

as-its-called-2

One of a pair of ‘George III Pier Tables’, original photograph, Bonhams Auctioneers, 1981.

as-its-called-3

Verso of ‘Pier Table’ photo – with details of price realized and buyer. Bonhams Auctioneers, 1981.

What is of particular interest to the antique dealer project in the small archive is how it further illustrates the synergies between the developing literature on the history of objects such as ‘antique furniture’ and the wider art market structures – the relationships between discourses if you like. This is made much more evident when one examines the back of the photographs – all of which have a range of art market information on them.

In this instance, this pair of ‘George III Pier Tables’ was sold at Bonhams auction on 28th July 1981, when they made £7,200, and were recorded as being sold to the dealer ‘Turpin’ – (M. Turpin Antiques, which was then run by the well known dealer ‘Dick’ Turpin, who was at the time trading from Mansion Mews, London SW7).

 

Other photographs similarly illustrate furniture sold at the auction house of Bonhams in 1980 and 1981. The ‘library chair’ in the photograph above for example, was one of a set of eight chairs sold at Bonhams on 25th March 1980 for £10,500 to the dealer ‘Williamson’ (possibly R.G. Williamson, then trading in Devon).  Other photographs just record the description of the object, auction lot number, and priced realized, such as this ‘George III mahogany serpentine chest’ which was sold at Bonhams on 17th July 1980 for £1,250. (There are probably buyer’s premiums to add to these figures of course, which in those days was c.10%).

as-its-called-5

A ‘George III…chest’. Original photograph Bonham Auctioneers, 1980.

All of this is not unusual of course – why wouldn’t a publication that intends to provide illustrations of antique furniture seek photographs of antique furniture that have recently been circulating on the art market.  But there is an interesting genealogy here, if we remember that many of the founding texts that focused on the history of English Furniture, which began to appear with increasing frequency from the period 1900 onwards, had also drawn their illustrations of key objects from the corpus of photographed examples circulating in the antique trade in the period. Attention to the meanings of this observation is something that the project is considering, and I’d like to say thank you again to Howard Coutts for providing us with yet another example of the significant interaction between discourse and the market.

Mark

 

The Period Room: Museum, Material, Experience

An International Conference hosted by The Bowes Museum and The University of Leeds

H. Blairman & Sons Ltd

A research project investigating the history of the antiques trade in Britain in the 20th century

Museum Studies Now?

'Museum Studies Now?' is an event which aims to discuss and debate museum and heritage studies education provision.

The Burlington Magazine Index Blog

art writing * art works * art market

East India Company at Home, 1757-1857

A research project investigating the history of the antiques trade in Britain in the 20th century